Later, though, tragedy looms large – and Withnail’s despairing traipse through rain-sodden Regent’s Park ranks among the most heartbreaking closing scenes in all cinema.Steve Martin’s big-screen calling card is such a soaring hymn to stupidity, such a canticle to folly, such a hosanna to hubris that only the sanest souls could resist the temptation to join in with the chorus. Just let your Soul Glo... Of all the films Mike Leigh made for TV in the 1970s, this comedy about two ‘green’ middle-class Londoners who pitch up at a Dorset campsite and make fools of themselves is almost as enduring as the better known ‘Abigail’s Party’. Bogey’s kiss-or-kill strategies couldn’t be less appropriate, which is where the fun starts, and Diane Keaton makes a most appealing romantic foil as events head to a wittily achieved airport finale with deliciously misappropriated classic movie dialogue. National Lampoon’s 1978 effort follows a wild fraternity of party lads, playboys and misfits put at danger of being shutdown by the dean of their straight-laced university.
Déjà vu! 'Annie Hall' is as Woody Allen as Woody Allen gets – hilarious, neurotic and occupied by the realisation that whatever happens, life is going to trample all over you.
The truth is, a bit of both. The famous scene where he dances with a giant globe offers a comic pisstake on vaunting megalomania, though there’s also a murderous reality to Hynkel’s behaviour – and prescient talk of ‘concentration camps’. Often painful, sometimes moving, frequently hilarious, it’s an oddball delight and a tribute to self-deluding ambition everywhere. Martin Scorsese isn’t exactly known for his comedy, although his 2013 hit ‘The Wolf of Wall Street’ was perhaps the most out-and-out funny film he’s made so far. Both Ephron and Reiner sank into Hollywood slush, but they were always headed that way. Laurel and Hardy’s frontier tale is their most varied featurette, and ranks with their very best. Imagine the contents of your hyperactive little brother’s brain splatted on to a TV screen and you have ‘Dumb & Dumber’. The highlight, though, has to be ‘ER’ star Eriq LaSalle in full Jheri curl nightmare as hair product salesman Daryl. Viewed today, the natural reaction to Buster Keaton’s civil-war masterpiece isn’t so much laughter as sheer, jaw-on-the-floor astonishment.
The pace is relentless, the supporting players are brilliantly sketched and the script cuts like a scalpel. The Funniest part of the movie is the journey from Delhi to Kolkata and Amitabh Bachchan’s chronic constipation.
Too cute. It’s Carrey at his most Carrey. Grumpy older man meets lonely younger woman while befriending/insulting his gay neighbour. It’s hilarious too, of course: the birth of the chase movie, and the template for everything from the Looney Tunes cartoons to ‘Mad Max: Fury Road’.
Shame about the sequels. That what’s Pegg/Frost/Wright give to the living dead of Crouch End, Highgate and North Finchley in spades, with compassion, heroism and without losing their sense of humour and essential Britishness. Woody comes to both bury and praise his hero Danny Rose in this lyrical note to the dimmer lights of the Great White Way.
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