Once upon a time freedom used to be life – now it’s money” (1937).

She is oblivious to the family’s struggles with money, jumping from activity to activity. Walter’s line is sandwiched between this stage direction, “Walter: [Ms. Hansberry also uses images to highlight the importance of elements of the American Dream. He views success, and measures his pride, by the yardstick of financial wellbeing.

As is typically the case for a proud individual, he is unable to fulfill the object of his pride through no fault of his own but via circumstance and the impediments of others.After receiving funding for his investment, he is swindled, a massive blow to his pride. She is religious, telling Beneatha to repeat after her, “In my mothers house there is still God” (1926). It is practical. Walter Lee is using it in a different sense, to indicate that he, Ethiopia personified, will stretch forth his hands again, become a leader, and overcome the obstacles set before him and his American Dream.It is clear from the spiritual allusions that the whole family is well versed in biblical scripture.

He believes, full heartedly, that he can succeed, if not for the interference of others.

Beneatha says this just after they find out that Willy Harris stole the $6500 that Walter gave him to invest in opening a liquor store.

His primary goal, it would seem, is to create a life that he believes is fitting for his family. (Bit- The metaphor implies that even though the lost money, lost opportunity for Beneatha to have her college paid for, lost opportunity for Walter Lee to open a business, seems catastrophic, the family members will likely heal from it and only have a small scar.There are many Biblical allusions: Happiness is depicted when the characters sing the African-American spiritual “I got wings… You got wings… All God’s children got wings…” when they are preparing to move (1959); Asagai likens Beneatha to God’s people who He delivered out of Egypt and made flourish, saying “Ah – so this is what the New World have finally wrought…” (1967); Beneatha likens Lindner to Judas Iscariot (1957); When drunk, Walter yells this passage from psalms 68.31, “YEAH…AND ETHIOPIA STRETCH FORTH HER HANDS AGAIN” (1939); Beneatha sarcastically likens herself to salt of the earth and later relates herself to Eve and George Murchison to Adam and eve page (1924,1973).

Mama says of Big Walter (her deceased husband), “seems like God didn’t see fit to give the black man nothing but dreams – but he did give us children to make them dreams seem worthwhile” (1923) Beneatha feels that there is no upward mobility, “No real progress, Asagai, there is only on large circle that we march in, around and around…our own little mirage that we think is the future” (1965). Virtual training tips: 5 ways to host engaging virtual trainings Our collection is growing every day with the help of many teachers. He is also a low-paid worker, a Limo driver (1937). She wants Walter to take over and be a man, “I’m waiting to hear how you be your father’s son. She is of a different generation that was concerned with safety, not status, “In my time we was worried about not being lynched and getting to the North if we could and how to stay alive and still have a pinch of dignity too… Now here come you and Beneatha – talking ‘bout things we never even thought about hardly, me and your daddy. Such global inclusion is typical of "Raisin," where Hansberry uses literary devices not only to enrich her text but also to intensify her characters and their interactions.Hansberry's "furniture-dark" apartment reminds us of Plato's cave; the absent sun symbolizes life, advancement and self-knowledge, all of which the Younger family lacks.

In Act Two, Walter cries, "The lion is waking," calling not only for independence for Africa but for financial freedom for the Youngers.

She’s interested in learning about Africa and trying to find her identity, “you see, Mr. asagai, I am looking for my identity!” (1929-30).George is rich and arrogant, “it’s an 8:30 curtain.

He is so moved by this motivating factor that he gives his son money only to find he required it himself. In this way Walter Lee is never humbled; he simply alters his definition of fulfilling his pride. Be the man he was…” (1938). The aspect most relevant to A Raisin in the Sun … Just a side track- Walter’s dream never involves hard work or dedication; his dream is to invest in a liquor store and somehow get rich. [He is rather proud of this knowledge] (1941). He has written extensively in literary criticism, student writing syllabi and numerous classroom educational paradigms. Shortly after we meet Beneatha Younger she states, “[a]nd then there are all those prophets who would lead us out of the wilderness -– into the swamps!” (1920). on An article from the NY Times by Gertrude Samuels- Johnny Vaccaro on “Raisin in the Sun” and “From Twelve Million Black Voices: A Folk History of the Negro in the United States” – Mark Robbins on Lizotte.

African Americans held mostly menial, low-paying jobs: house cleaners, nannies, chauffeurs.


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