"In the play, after the indecency trial, Lemml the stage manager decides to move back to Poland. 1 (March 1998) p. 127.Rebecca Mead, "Stage Left," The New Yorker, March 22, 2010, p. 25 . He seeks counseling and becomes a recluse in his Staten Island home. "The director of the production, Rebecca Taichman, was a graduate student at the Taichman explained: "I wrote my own version [of the play], but I'm just not a playwright, so it never quite clicked. The actors are found guilty, and a heartbroken Lemml returns to Europe, taking the play's Yiddish manuscript with him. And part of what happened in the 20th century and the Holocaust made it so that there were a lot of Yiddish speakers who are no longer with us. Carol Rosegg/Courtesy of Sam Rudy Media Relations Asche returns from a visit to Europe, where he witnesses the rise of anti-Semitism, leaving him in a deep depression. Vogel was born in Washington, D.C., to Donald Stephen Vogel, an advertising executive, and Phyllis Rita (Bremerman), a secretary for the United States Postal Service Training and Development Center. "You can also call me Lou. Actor Richard Topol, who plays Lemml, says, "One of the things that Paula and [director Rebecca Taichman] are so adamant about is that the play make us understand that we can lose culture, reminding us that Yiddish was this vibrant culture that is almost dead. She received the 1998 Pulitzer Prize for Drama for her play How I Learned to Drive. "They say America is free? Carol Rosegg/Courtesy of Sam Rudy Media Relations The actors are found guilty, and a heartbroken Lemml returns to Europe, taking the play's Yiddish manuscript with him. Paula Vogel, Indecent's Pulitzer Prize-winning playwright, says, "The only problem in the original play is that the daughter falls in love with a prostitute downstairs." Vogel was born in Washington, D.C. to Donald Stephen Vogel, an advertising executive, and Phyllis Rita Bremerman, a secretary for United States Postal Service Training and Development Center. Asch, still depressed, refuses to testify in the actors' obscenity trial, ashamed that he approved changes to his play he did not understand English well enough to notice. Indecent by Pulitzer-winning playwright Paula Vogel tells the story of Sholem Asch’s controversial play, The God of Vengeance, and the passionate artists who risked everything to bring it to the stage.A small theatre company tells the story of the play from its inception in Poland in 1907.
Adina Verson (right) and Katrina Lenk play, respectively, Rifkele, the brothel owner's daughter, and Menke, the woman she falls in the love with. Pulitzer Prize-winning playwright Paula Vogel returns to The Vineyard with her new play, INDECENT, co-created with director Rebecca Taichman.INDECENT is inspired by the true events surrounding the controversial 1923 Broadway debut of Sholem Asch’s GOD OF VENGEANCE — a play seen by some as a seminal work of Jewish culture, and by others as an act of traitorous libel. Every night, we tell this story. "For the next hour and a half, this troupe of actors takes the audience through the history of Sholem Asch's 1907 Yiddish play Vogel's play about a play depicts the author of the original, the actors who performed in it, the controversy surrounding it and the lost culture from which it came.
The play is transferred to Broadway, but Dine and Lemml are outraged when the producer alters the play, removing the love between the two women and suggesting instead that Manke seduces Rifkele to also become a prostitute. INDECENT under the then-title of The Vengeance Project was developed, in part, at the 2013 Sundance Institute Theatre Lab at the Sundance Resort. Paula Vogel’s Indecent uses the production history of a little-known Yiddish play to get at haunting truths about the paradoxical nature of storytelling. Asche returns from a visit to Europe, where he witnesses the rise of anti-Semitism, leaving him in a deep depression.
"The director of the production, Rebecca Taichman, was a graduate student at the Taichman explained: "I wrote my own version [of the play], but I'm just not a playwright, so it never quite clicked. "The play received positive reviews. Vogel first read God of Vengeance in … TV production of the Tony Award-winning play, based on the story of a Broadway acting troupe arrested for indecency for performing Sholem Asch's "God of Vengeance" and their fight against censorship.
She received the 1998 Pulitzer Prize for Drama for her play, How I Learned to Drive. Asche remains in America, and begins to receives letters from friends as they attempt to escape the In 1952, Asche and Madje are packing up their house in Staten Island to relocate to England since Asche is being persecuted by the Note: aside from Lemml, the rest of the cast is officially credited simply as "actor. She attended Bryn Mawr College from 1969 to 1970 and 1971 to 1972, and is a graduate of The Catholic University of America (BA, 1974) and Cornell University (MA, 1976; PhD, 2016). Carl is namesake for the Vogel married Brown University professor and author Subsequent to her Obie Award for Best Play (1992) and Pulitzer Prize in Drama (1998), Vogel received the Award for Literature from In 2016, Vogel successfully completed and defended her doctoral thesis at Cornell University, more than 40 years after she began her graduate work.
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