Computers, though, are set aside for the closer, “Homecoming.” Lewis’ initial zestful ruminations end with a sustained growl that invites Mitchell (on soprano) to enter a dialog. As if sensing the mismatch, Mitchell becomes more animated, encouraging his longtime collaborator to join in the maelstrom. The latter rarely takes any prisoners when wielding this particular axe, venturing into the raw, ultra-high territory afforded by its dimensions. Midway through, Lewis disrupts things, sending his laptop into more skittery, pricklier territory. To better protect the privacy of Internet users, we have outlined our policy explaining our online information practices. In and of itself, it's fascinating to listen to, to try to imagine what kind of algorithms went into the programming, how choices are made. Voyager (1987, continually revised to the present day) Software by George Lewis and Damon Holzborn Yamaha Synclavier piano Dr. George E Lewis - … George Lewis/Roscoe Mitchell ... Much more fascinating is “Voyager,” when an interactive computer program created by Lewis activates an acoustic piano. Looking forward to more. When Mitchell joins in on alto a few minutes later, Voyager shifts to a rapid-fire attack recalling Conlon Nancarrow but also evincing some impressive dynamic shifts and pauses. [Annoying label decision gripe: Why append a separate, 90-second track of applause at the end? DownBeat.com is owned and operated by Maher Publications. Sometimes it seems imitative, sometimes veering off on its own to chart out new possibilities. In the arts, you’ll come across a lot of multi-talented people, but not many who can boast the depth of accomplishment in as many areas as George E. Lewis. Much more fascinating is “Voyager,” when an interactive computer program created by Lewis activates an acoustic piano. The piano plays solo, as it were, for some seven minutes before Lewis enters with some jaunty trombone, the program clearly listening to him, and he to it. The second piece, accurately titled, 'Voyager', begins with only a piano thus activated. Lewis' Voyager program has been used to trigger acoustic instruments and for this work, it's a piano.
American avant-garde jazz trombonist, born July 14, 1952 in Chicago, IL. But both Mitchell and Lewis have worked a great deal with musicians operating out of post-Cage strategies, sometimes successfully, sometimes, in this listener's opinion, uncomfortably, as though forcing their music into strictures that don't always serve them well.The music heard in this recording is from a concert in Berlin, given on February 2, 2018, some 47 years since the pair first met. In this introduction to composer, musician, and interdisciplinary scholar George E. Lewis, music theorist Paul Steinbeck, a former student of Lewis’s at Columbia, sheds light on the intertwined histories of the Association for the Advancement of Creative Musicians (AACM) and Voyager, the computer system with which Lewis and Roscoe Mitchell will perform at CTM 2018. ]The Squid's Ear is the companion magazine to the online music shop This meeting between two pillars of AACM is an uneven affair, which can be explained by the diffuse nature of each of the three pieces here. Interactive Trio for trombone, two pianos and interactive music system by George Lewis performed by Amina C. Myers and George Lewis April 8, 2011 Martinos Auditorium,… The saxophonist’s reedy squeaks are alternately tentative and plaintive, while Lewis delivers fairly conventional fare. “Quanta” mainly pits Roscoe Mitchell’s sopranino saxophone against the sounds produced by George Lewis through a laptop. George Lewis and Voyager On Friday, March 30 Professor George Lewis presented a lecture entitled “ Living with Creative Machines; Improvisation, Technology, and Interactivity.” Professor Lewis is an accomplished trombonist who has appeared on over eighty recordings. There are three works. Problematic because what the term "experimentation" implies is such within the context of Western art music, by no means the sole aesthetic ground for pushing limits, attempting to establish new formal structures, etc.
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