I have picked it up and opened a random page to read on dozens of occasions. For information on how we process your data, read our You can unsubscribe from newsletters at any time by clicking the unsubscribe link in any newsletter. His vision of the impact of modern technology on the contemporary global condition is powerful and disturbing, ranging over art, science, politics and warfare. I found an audio copy of this book at my library and started reading it when I saw it on a recommended list for writers recently. In his provocative vision, art and science vie with each other for the destruction of the human form as we know it. Architect and urban planner and former director of the Ecole Speciale d'Architecture in Paris, he has written widely on film, architecture, art, war and technology. To read this book, a slim, unassuming-looking little volume, is to feel freer in admitting: I am an artist, or writer. After all, art is rarely made by Mozart-like people; essentially-statistically speaking-there aren't any people like that. The long review: The authors write that the book is the result of years of discussions about what artists -- regardless of the type of art -- have in common, and they come up with some very real, practical, and spiritual (in the best way) suggestions.
It is genius, and I'm a little surprised it's not required reading in MFA programs. After all, art is rarely made by Mozart-like people; essentially-statistically speaking-there aren't any people like that. Transcending this barrier often means the difference between shying away from the actual work and having the ability to sit down and, as one individual once eloquently put it, just do the fuckin thing. Many times artists will stop making art and then feel guilty about not returning. The original Capra Press edition of "Art and Fear" sold 80,000 copies. Art and Fear book. Oftentimes, those who write, paint, sculpt or shoot fear discussing this topic with others, even other artists, at the risk of sounding pretentious or dull.
(Admittedly that may have to do with its brevity). The authors address the question of not "why do weThe short review: I will be sleeping with this book under my pillow from now on.
Just a moment while we sign you in to your Goodreads account. Favorite passages:Popular and familiar with my friends; it was my first read. Geniuses get made once-a-century or so, yet good art gets made all the time, so to equate the making of art with the workings of genius remov"This is a book about making art.
This book was recommended to me and to all of my fellow art students by a professor, whose every word is normally golden. It is a helpful, boost of a book in the vein of Pressfield's creativity books designed to look at things pragmatically, ease the pressure, and work.
The two authors refer to "art" in such a flimsy pretext that they not only fail to define it, they change the implied definition to suit whatever point is being made but then mix the definitions in chains of clumsy logic (sometimes to the fine art business, other times to any creative expression, other times to a limited set of work that is non-reproducible). Art & Fear: Observations On the Perils (and Rewards) of Artmaking . April 1st 2001 “"Paul Virilio's vision of war, art and technology has informed contemporary debates about techno-capitalist modernity for some time. By using our website you consent to all cookies in accordance with our It looks like you are located in Australia or New Zealand Or maybe fear about what others say after looking at your work. There are many quotable pearls in this book, but without context, they seem rather obvious. Why? They have drawn their observations from personal experience.
It is a helpful, boost of a book in the vein of Pressfield's creativitInspirational. It makes things okay to know that the Mozarts are one every couple hundred years, yet great art gets made all the time. MwSt., ggf. The authors' basic premise is that you can and will only ever be you, and all the other people in the world will also only ever be themselves.
In Art and Fear, Virilio traces the twin development of art and science over the 20th century. Many people might be under the impression that they must wait for a proverbial light bulb to go off, thus spiraling them into a creative fervor and their art will magically appear.
A second A quick, no-nonsense, part-philosophical-part-practical examination of what it means to make art, no matter the medium, and to continue to do so in spite of its inherent challenges. My work is important to me, even if it is unimportant to the rest of the world. Art & Fear: Observations On the Perils (and Rewards) of Artmaking by David Bayles & Ted Orland Art and Fear is a non-fiction book written by artists for artists.
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